Fear and loathing postmodernism

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Fear and loathing postmodernism

Thompson is often celebrated by popular culture and either ignored or derided by literary critics, while this thesis reads it in relation to the picaresque literary tradition with a consideration for both the mass appeal and the disturbing qualities that make it a messy and difficult text.

At times it comes across as transgressive in the way it creates sovereign space for alternative lifestyles, sometimes referred to as freaks by the narrator, Raoul Duke, but those moments are fleeting. More often, the narrator and his attorney, Dr. Gonzo, are reinscribing a dominant structure that abuses the less privileged and less mobile members of society, such as a hitchhiker, a maid, and a waitress.

Moreover, the narrator even ends up working against himself and counteracting what he apparently values: Through a rapidly moving and episodic narrative structure reminiscent of the picaresque tradition but with a postmodern twist that amplifies and accelerates the format to such an extreme that it paradoxically paralyzes meaningful movement in a focused direction, the novel proves both appealing and unsettling.

At such extremes, the potentially positive and negative aspects blur and flatten into a messy text whose meaning resembles the polar extremes and sharp contrasts Jean Baudrillard found so sublime about America itself.A term coined by esteemed Gonzo journalist Hunter S.

Thompson in his memoir, Fear and Loathing in Las Vegas. As used in the context of the book, the term refers to the consumption of near-lethal amounts of hallucinogens, narcotics, stimulants, alcohol and tobacco.

The term can also be seen as part of Thompson's commentary on the . This article's lead section does not adequately summarize key points of its contents.

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Please consider expanding the lead to provide an accessible overview of all important aspects of the article. Please discuss this issue on the article's talk page. (June ). THE IDEA OF THE POSTMODERN by Routledge 11 New Fetter Lane, London EC4P 4EE FEAR AND LOATHING IN LOS ANGELES 9 POSTMODERN POLITICS 10 THE POSTMODERN AS A NEW SOCIAL FORMATION 11 CONCLUSION Bibliography Index -vii- -v-.

Fear and loathing postmodernism

POSTMODERNISM: THE s 37 For Laura. Redmer. Tagged in: austin writing workshop, ceil, fear and loathing, frank marcopolos, harold brodkey, hunter s. thompson, postmodernism Posted by Frank Marcopolos .

This report attempts to construct a postmodern framework to provide for an analysis of Intercollegiate Forensics. It isolates the major theoretical constructs of postmodernism, applies them to Intercollegiate Forensics, and draws conclusions.

Fredric Jameson (born 14 April ) is an American literary critic and Marxist political theorist. He is best known for his analysis of contemporary cultural trends—he once described postmodernism as the spatialization of culture under the pressure of organized capitalism.

Genghis Khan on joy and the meaning of life – Stephen Hicks, Ph.D.