Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box.
The children assembled first, of course. School was recently over for the summer, and the feeling of liberty sat uneasily on most of them; they tended to gather together quietly for a while before they broke into boisterous play, and their talk was still of the classroom and the teacher, of books and reprimands.
The girls stood aside, talking among themselves, looking over their shoulders at the boys, and the very small children rolled in the dust or clung to the hands of their older brothers or sisters.
Soon the men began to gather, surveying their own children, speaking of planting and rain, tractors and taxes. They stood together, away from the pile of stones in the corner, and their jokes were quiet and they smiled rather than laughed.
The women, wearing faded house dresses and sweaters, came shortly after their menfolk. They greeted one another and exchanged bits of gossip as they went to join their husbands.
Soon the women, standing by their husbands, began to call to their children, and the children came reluctantly, having to be called four or five times. His father spoke up sharply, and Bobby came quickly and took his place between his father and his oldest brother.
The lottery was conducted—as were the square dances, the teen club, the Halloween program—by Mr. Summers, who had time and energy to devote to civic activities.
He was a round-faced, jovial man and he ran the coal business, and people were sorry for him because he had no children and his wife was a scold. When he arrived in the square, carrying the black wooden box, there was a murmur of conversation among the villagers, and he waved and called.
Graves, followed him, carrying a three-legged stool, and the stool was put in the center of the square and Mr. Summers set the black box down on it. The villagers kept their distance, leaving a space between themselves and the stool, and when Mr. Martin and his oldest son, Baxter, came forward to hold the box steady on the stool while Mr.
Summers stirred up the papers inside it. The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born.
Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here.
Every year, after the lottery, Mr. The black box grew shabbier each year:Jun 29, · Miko Brando, son of actor Marlon Brando, has been friends with Michael Jackson for over 25 years.
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The Lottery Shirley Jackson. Shirley Jackson Genre Short story Novel Style Realism Category Horror Gothic villagers are willing to carry out in the name of tradition. Characters (cont.) The Lottery The Lottery Irony 1.
The story takes place in a peaceful setting although what later occurs. “The Lottery”Shirley Jackson. Notes on the story. Ancient Ritual Sacrifice. In ancient Athens, Greece, Athenians believed that pointing out the 'winner' are mentioned too frequently to be coincidental.
Black box: Irony. The town’s lottery is so barbaric, yet he’s worried about going back to caves?. Irony in the Story The Lottery by Shirley Jackson Essay Words | 3 Pages. Irony in the Story The Lottery by Shirley Jackson In Shirley Jackson’s “The Lottery” irony is an underlying theme used throughout the story.
The setting is introduced as a “clear and sunny” day, but ends with the brutal death of a housewife (). The setting brought out by Jackson at the beginning of the novel is that of a well lived town with peace and harmony yet it is the same place that all that evils occur.
This is to mean that it is not about the environment leading to evil in societies but the nature of man.